Gender Studies, Film Studies, Critical Posthumanism, Graphic Narratives, Speculative Fiction, Poetry.

Film Appreciation Course, 2012 (Film & Television Institute of India and National Film Archive of India, Pune, India.

Modern Masterpieces of World Literature (HARVARDX)

•  Filming FoFilming Folktales: The Uncanny in Bhaskar Hazarika’s Kothanodi (“The River of Fables”) Rupkatha Vol. 14, Issue 2, 2022.

• Why ‘Maleficent’ Matters: Acculturation and Re-tellings of Fairy Tales Drishti: The Sight, Vol. X, Issue I. MAY, 2021
• Focus ‘Silence’ in The Films of Bhabendranath Saikia. ANWESHAN, Vol. XIII. 2021.

• Problematising Female Sexuality in Stephen King’s “Carrie” Drishti: The Sight X, Issue II. 2021.

• Gauhati on a Plate: Slow- Food and Postcolonial Cultures of Consumption. GUINEIS Journal: An Interdisciplinary journal of North East India Studies. 2019

• Posthuman Subjectivity and Cinema in India: A Postcolonial Intervention. English Forum. Vol. 7. 2019

• "Narratives Of Travel: A Case of an Alienated Land in Sudeep Chakravarty’s Highway 39" Dibrugarh University Journal of English Studies, Vol 24, 2016. ISSN 0975-5659

• Burden of the Past, Desires and Borders as Reflected in the Women Characters of Bollywood Partition Movies. The Marginal Voice, Vol I, 2012. ISSN 0976-853X 

• “Circles and Triangles: Ecocritical Convergences in William Golding’s Lord of the Flies” Protocol, 09739807

• Relocating Silence and Subversion in Early Assamese Cinema from North East India with particular reference to Bhabendranath Saikia’s Film in Film-Philosophy 2016, University of Edinburg, Scotland.  

• Locating/Writing ‘Elsewhere’: Travel Narratives of William Dalrymple in Nine Lives and Samanth Subramanian in Following Fish  in “Framing India through Perspectives from Elsewhere” in Indian Institute of Advanced Study (IIAS), Shimla 2015

• Museum, Mnemoculture, Identity: Considering Salar Jung Museum, Hyderabad, India in“Cultures of Memory: Mnemocultural Praxis in South,Southeast and Other Asian Countries” organised by The English and Foreign Languages University(EFLU), Shillong Campus, November 2013.

• Future Space is Speed/Time: A Reading of Damien Broderick’s The Dreaming and The Spike  in the internation conference on “Re-mapping the Future: History, Culture and Environment in Australia and India” organised by Indian Association for the Study of Australia (IASA), Eastern Region  in collaboration with Monash University and University of New South Wales Australia 22^ndJan—24^th Jan, 2011.  

• Pastoral Sexual Dynamics in Post-Thoreau Nature Poetry with Reference to Elizabeth Bishop in an International conference on “Beyond Thoreau: American and International Responses to Nature” in Tsinghua University, Beijing. 9^th-11^th Oct. 2008.

• Edward, An(other) Said: Exile and Identity in Said’s  Out of Place in Citigroup Kuala Lumpur International Literary Festival (29 July to 1^st August 2004). Citigroup, Kuala Lumpur, Malaysia

 fardinah@gauhati.ac.in

 09954498599